Background

‘Freezing Families’ Trend

Matej Lancaric

๐ŸงŠ ๐—ง๐—ต๐—ฒ โ€œ๐—ณ๐—ฟ๐—ฒ๐—ฒ๐˜‡๐—ถ๐—ป๐—ด ๐—ณ๐—ฎ๐—บ๐—ถ๐—น๐—ถ๐—ฒ๐˜€โ€ ๐Ÿ‘ถ ๐˜๐—ฟ๐—ฒ๐—ป๐—ฑ ๐—ถ๐˜€ ๐—ฎ ๐—ต๐—ถ๐—ด๐—ต๐—น๐˜† ๐—ฒ๐—บ๐—ผ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ฎ๐—บ๐—ฎ๐˜๐—ถ๐˜‡๐—ฒ๐—ฑ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฐ๐—ผ๐—ป๐—ฐ๐—ฒ๐—ฝ๐˜ ๐˜†๐—ผ๐˜‚ ๐—ฐ๐—ฎ๐—ป’๐˜ ๐—บ๐—ถ๐˜€๐˜€. Why is it mandatory now? ๐Ÿ‘‡

This trend has gained popularity in casual mobile game ads and is mandatory, especially in genres like match-3, merge games, or narrative-driven games.

I always thought Playrix is the OG of freezing families, but nope. Looks like it goes way back to Matchington Mansion.

Good old days of Matchington Mansion.

A freezing mother and child shivering in a dilapidated house.

A dramatic voiceover or visual urgency (โ€œHelp them survive!โ€).

Gameplay shown as the way to restore warmth, fix the heater, or renovate the house.

Then Lilly’s Garden (Tactile Games) jumps on the trend, Playrix, and slowly the whole casual genre.ย Looking at you, Arsen,y too ๐Ÿ‘€ Microfun is taking this to the extreme levels with all games.

You are using the “๐—ฆ๐—ฎ๐˜ƒ๐—ฒ ๐—บ๐—ฒ” concept or “๐—ณ๐—ฟ๐—ฒ๐—ฒ๐˜‡๐—ถ๐—ป๐—ด ๐—ณ๐—ฎ๐—บ๐—ถ๐—น๐—ถ๐—ฒ๐˜€” in casual space.

๐—ช๐—ต๐˜† ๐—ถ๐˜’๐˜€ ๐˜„๐—ผ๐—ฟ๐—ธ๐—ถ๐—ป๐—ด:
It triggers empathy and urgency, people instinctively want to help children or families in distress.

Viewers want to see what happens next. Will they survive? Will the home be restored?

Solving puzzles isnโ€™t just about points โ€” itโ€™s now about saving someone.

These creatives often dramatize gameplay far beyond the actual experience, which can lead to poor retention and bad reviews. ๐—›๐—ผ๐˜„๐—ฒ๐˜ƒ๐—ฒ๐—ฟ, ๐—ฐ๐—ผ๐—บ๐—ฏ๐—ถ๐—ป๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐—ฝ๐˜‚๐—ฟ๐—ฐ๐—ต๐—ฎ๐˜€๐—ฒ ๐—ผ๐—ฟ ๐—ฉ๐—ข ๐—ฐ๐—ฎ๐—บ๐—ฝ๐—ฎ๐—ถ๐—ด๐—ป๐˜€, ๐˜๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐˜๐—ฟ๐—ถ๐—ฐ๐—ธ ๐˜๐—ผ ๐—ฑ๐—ฒ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜€๐—ฒ ๐—–๐—ฃ๐—œ๐˜€.

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